"Music truly connects people" Three questions to Sara Göbel, LGT Young Soloist

Sara Göbel, what first made you fall in love with your instrument?

I grew up in a musical family - both of my parents are pianists, so the piano was always in our living room. As a child, it was only natural to go and play. My siblings and I all started with the piano, and later each of us chose a second instrument. For me, that was the violin when I was five years old.

I don’t remember exactly how I decided on the violin - I might have watched a friend's lesson and wanted to try it myself. In the end, it doesn’t really matter and I‘m just very happy that I chose the violin - it's simply the best instrument!

Which part of the journey from talented young musician to professional musician do you find the most difficult?

One of the biggest challenges for me is finding the stages and opportunities to actually perform as a musician. On a very practical level, there is also the reality of building a career out of something that is first and foremost a passion, while at the same time needing to make a living from it.

The idea of eventually settling into a more structured life after the freedom of student years is something I respect, but also look forward to in its own way.

Being part of the LGT Young Soloists has really changed how I see this. It gives us not only incredible performance opportunities, but also the chance to grow into the professional music world step by step - meeting people, building connections, and gaining experience without the immediate financial pressure. That support gives me a lot of trust and confidence in my own path which I'm very grateful for.

Which aspect of performing with the LGT Young Soloists has been your highlight so far?

I can't really name just one highlight. For me, the biggest highlight is being part of the LGT Young Soloists at all and being able to take part in so many unique projects and concerts around the world. Of course, performing in some of the world’s greatest concert halls is always special, but the smaller concerts or those for specific audiences feel just as meaningful.

What stays with me most is the feeling that music truly connects people across cultures, and having the privilege to experience this firsthand is something I am extremely grateful for. I have also met wonderful people through the ensemble, many of whom have become close friends, which makes sharing both the beautiful and the challenging sides of this profession very special.

If I had to choose one tour highlight, it would probably be the annual Australia/Asia tour. I also really enjoy the direct contact with the audience after concerts. The LGT Young Soloists have a profound impact on my development as both a musician and a person, and I am deeply grateful for the support of LGT, which makes these experiences possible for all of us.